
Matthew performs frequently as timpanist and percussionist in Chicago with groups such as the Illinois Philharmonic, Rockford Symphony, and New Philharmonic Orchestras. He is widely sought after to accompany modern dance in Chicago studios, including the Lou Conte Dance Studio (home of Hubbard Street Dance Chicago). Matthew is founding artistic director of SONIC INERTIA (dance + electronic media + live music), which also consists of smaller chamber groups from the SONIC INERTIA core musicians, to a marimba and piano duo (Coley/Drews Duo) and a flute, bassoon, and percussion trio (Apollo Trio). He has advanced the repertoire for the hammer dulcimer in contemporary and chamber music settings with the efforts of these ensembles, and created unique collaborative works for live musicians and dancers. Matthew is a published composer with Innovative Percussion, Inc. and a clinician in a diverse field of percussion performance topics, as well as dance and multi-media collaboration. He received his Masters of Music degree from Northwestern University in percussion performance and literature in 2003 under Michael Burritt and James Ross, and his Bachelors of Music degree from the University of North Texas in 2001 with Mark Ford and Christopher Deane. Matthew can be contacted on the web through www.hearmatthewcoley.com or www.sonicinertia.com.
BJORN BERKHOUT, composer, cello
Dr. Berkhout is an award winning composer who received his Doctorate in Composition at Northwestern University where he was awarded the Faricy Award for Creative Music. He’s also an active cellist, having received his Masters Degree in Cello Performance from the University of Minnesota.

Twice he was selected as a semi-finalist for the prestigious Raymond and Beverly Sackler Music Composition Prize. He has received attention at many national and international festivals including June in Buffalo, Music Ninety-Eight in Cincinnati, the Gaudeamus Festival in Amsterdam, and the New Music Symposium 2001 at the Domaine Forget in Canada.
Dr. Berkhout is currently a full time instructor of music at Loyola University Chicago where he teaches music theory/composition, history and cello. Learn more at www.bjornb.com.
MARY DREWS, piano
Mary Drews is a sought-after collaborative pianist, chamber musician, and teacher.

Her collaborations with singers and instrumentalists alike include engagements at the Aspen Music Festival, the Steans Institute at Ravinia, the Minnesota Orchestra Musicfest, the Schleswig Holstin Festival, as well as concert tours in Europe and Japan.
Since 2001, Ms. Drews is on the faculty of the Music Institute of Chicago.
CORY HILLS, percussion
Percussionist, composer, and educator Cory Hills thrives on breaking down musical barriers through innovative and creative endeavors. He received his bachelor’s degree (percussion performance and music education) from Northwestern University in Evanston, Illinois, and his master’s degree (percussion performance) from Queensland Conservatorium in Brisbane, Australia. In 2005, Hills was awarded a research fellowship to Institute Fabrica, United Colors of Benetton’s research center for the contemporary and exploratory arts located in Treviso, Italy. Currently, Hills is a doctoral fellow in percussion performance and music theory at the University of Kansas. Hills has performed with the National Symphony Orchestra, the Queensland Choir, and the Topeka Symphony, and soloed with the Queensland Symphony Orchestra and The United States Army Band. A staunch advocate of new music, Hills has commissioned and premiered dozens of new works for solo percussion. In addition, he sponsors the annual Con/un/drum Solo Percussion Composition Competition designed to increase the repertoire for solo percussion. Hills is a frequent guest artist and clinician throughout the United States and Europe, giving numerous master classes and recitals. He is endorsed by Vaughncraft percussion.
For more information, please visit www.coryhills.com.

